Box 14
Container
Contains 7 Results:
Will the Real Me Stand Up; client Response Center; venue LP , 1977
Item — Box: 14
Identifier: 3
Scope and Contents
From the Collection:
The Howard LeVant Papers consist almost entirely of photographs; of those, most are the final versions of his work for clients. The great majority of the prints are mounted on white foam core boards for protection and for ease of transport and display to clients.The first and largest series, Photographs, is divided into five subseries that reflect the major periods of LeVant’s commercial career: the King firm in Cleveland, Shigeta-Wright in Chicago; LeVant/Ditlove in Chicago;...
Dates:
Other: 1977
Woman knitting; client AO Smith; agency unknown; venue LP , 1974-1976
Item — Box: 14
Identifier: 3
Scope and Contents
From the Collection:
The Howard LeVant Papers consist almost entirely of photographs; of those, most are the final versions of his work for clients. The great majority of the prints are mounted on white foam core boards for protection and for ease of transport and display to clients.The first and largest series, Photographs, is divided into five subseries that reflect the major periods of LeVant’s commercial career: the King firm in Cleveland, Shigeta-Wright in Chicago; LeVant/Ditlove in Chicago;...
Dates:
Other: 1974-1976
Yearly Catering (magazine); client Wegmans; venue Roch , 1990-1993
Item — Box: 14
Identifier: 3
Scope and Contents
From the Collection:
The Howard LeVant Papers consist almost entirely of photographs; of those, most are the final versions of his work for clients. The great majority of the prints are mounted on white foam core boards for protection and for ease of transport and display to clients.The first and largest series, Photographs, is divided into five subseries that reflect the major periods of LeVant’s commercial career: the King firm in Cleveland, Shigeta-Wright in Chicago; LeVant/Ditlove in Chicago;...
Dates:
Other: 1990-1993
Yearly Catering (magazine); client Wegmans; venue Roch , 1990-1993
Item — Box: 14
Identifier: 3
Scope and Contents
From the Collection:
The Howard LeVant Papers consist almost entirely of photographs; of those, most are the final versions of his work for clients. The great majority of the prints are mounted on white foam core boards for protection and for ease of transport and display to clients.The first and largest series, Photographs, is divided into five subseries that reflect the major periods of LeVant’s commercial career: the King firm in Cleveland, Shigeta-Wright in Chicago; LeVant/Ditlove in Chicago;...
Dates:
Other: 1990-1993
Yearly Catering (magazine); client Wegmans; venue Roch , 1990-1993
Item — Box: 14
Identifier: 3
Scope and Contents
From the Collection:
The Howard LeVant Papers consist almost entirely of photographs; of those, most are the final versions of his work for clients. The great majority of the prints are mounted on white foam core boards for protection and for ease of transport and display to clients.The first and largest series, Photographs, is divided into five subseries that reflect the major periods of LeVant’s commercial career: the King firm in Cleveland, Shigeta-Wright in Chicago; LeVant/Ditlove in Chicago;...
Dates:
Other: 1990-1993
Yearly Catering (magazine); client Wegmans; venue Roch , 1990-1993
Item — Box: 14
Identifier: 3
Scope and Contents
From the Collection:
The Howard LeVant Papers consist almost entirely of photographs; of those, most are the final versions of his work for clients. The great majority of the prints are mounted on white foam core boards for protection and for ease of transport and display to clients.The first and largest series, Photographs, is divided into five subseries that reflect the major periods of LeVant’s commercial career: the King firm in Cleveland, Shigeta-Wright in Chicago; LeVant/Ditlove in Chicago;...
Dates:
Other: 1990-1993
Yearly Catering (magazine); client Wegmans; venue Roch , 1990-1993
Item — Box: 14
Identifier: 3
Scope and Contents
From the Collection:
The Howard LeVant Papers consist almost entirely of photographs; of those, most are the final versions of his work for clients. The great majority of the prints are mounted on white foam core boards for protection and for ease of transport and display to clients.The first and largest series, Photographs, is divided into five subseries that reflect the major periods of LeVant’s commercial career: the King firm in Cleveland, Shigeta-Wright in Chicago; LeVant/Ditlove in Chicago;...
Dates:
Other: 1990-1993